After Modern Art 1945-2000 (Oxford History of Art)

After Modern Art 1945-2000 (Oxford History of Art) Review

After Modern Art 1945-2000 (Oxford History of Art) Overview

Modern and contemporary art can be both baffling and beautiful; it can also be innovative, political, and disturbing. This book sets out to provide the first concise interpretation of the period as a whole, clarifying the artists and their works along the way. Closely informed by new critical approaches, it concentrates on the relationship between American and European art from the end of the Second World War to the eve of the new millennium.

Jackson Pollock, Jasper Johns, Yves Klein, Andy Warhol, Louise Bourgeois, Cindy Sherman, and Damien Hirst are among many artists discussed, with careful attention being given to the political and cultural worlds they inhabited. Moving along a clear timeline, the author highlights key movements such as Abstract Expressionism, Pop Art, Minimalism, Conceptualism, Postmodernism, and performance art to explain the theoretical and issue-based debates that have provided the engine for the art of this period.

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World Textiles: A Concise History (World of Art)

World Textiles: A Concise History (World of Art) Review

World Textiles: A Concise History (World of Art) Overview

The history of textiles, more than that of any other artifact, is the history of human ingenuity.

From the earliest needles of 25,000 years ago to techno textiles used in Space Shuttle parachutes today, textiles have been fundamental to human existence and achievements, and have informed developments in other areas from agriculture to metallurgy. Textiles are global commodities, common to every culture and for a long time the motivation for trade, the exchange of ideas, and sometimes even conflict. Silks from China, carpets from Persia, ikats from Indonesia, cottons from India, fine linens from Flanders--each of these has helped to shape the modern world. This groundbreaking book surveys, from prehistory to the early twenty-first century, how textiles are made, what they are made from, how they function in society, the ways in which they are valued and given meaning, and the messages they contain. The author shows the intricate relationships between different cultures' textile traditions and demonstrates the significance of the materials we all take for granted in our everyday lives. 204 illustrations, 100 in color

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Wrapped in Pride: Ghanaian Kente and African American Identity (UCLA Fowler Museum of Cultural History Textile Series)

Wrapped in Pride: Ghanaian Kente and African American Identity (UCLA Fowler Museum of Cultural History Textile Series) Review

Wrapped in Pride: Ghanaian Kente and African American Identity (UCLA Fowler Museum of Cultural History Textile Series) Overview

Kente is not only the best known of all African textiles, it is also one of the most admired of all fabrics worldwide. Originating among the Asante peoples of Ghana and the Ewe peoples of Ghana and Togo, this brilliantly colored and intricately patterned strip-woven cloth was traditionally associated with royalty. Over time, however, it has come to be worn and used in many different contexts. In Wrapped in Pride, seven distinguished scholars present an exhaustive examination of the history of kente from its earliest use in Ghana to its present-day impact in the African Diaspora.

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A History of Textile Art

A History of Textile Art Review

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History of Interior Design

History of Interior Design Review

History of Interior Design Overview

History of Interior Design provides a comprehensive survey of architecture, interiors, furniture, and accessories from ancient civilizations through the twentieth century. While primarily focusing on Western civilizations, the book expands on traditional studies and includes design histories of African, Eastern, and Indigenous cultures. Drawing on her experience as an instructor, Ireland covers not only social and technological influences but also specific characteristics of each of the periods and styles. The world has become a global community and though much is the same, much is different. Interpreting history can lead to a better understanding of the past, furnish a greater appreciation for the present, and inform the very future of design. This text provides the tools for designers to understand the differences across history and across the contemporary world and how to interpret history to complete their design projects successfully.

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The History of Furniture: Twenty-Five Centuries of Style and Design in the Western Tradition

The History of Furniture: Twenty-Five Centuries of Style and Design in the Western Tradition Review

The History of Furniture: Twenty-Five Centuries of Style and Design in the Western Tradition Overview

" The entire story of furniture is presented as it never has been before. Written with great verve and in a highly accessible style, The History of Furniture conveys a vast knowledge of history and design with stunning intellectual clarity. In surveying the development of furniture from antiquity to the present day, John Morley focuses on the Western traditions, but he includes the outside influences of China and Japan, India, Egypt, and Africa. His bravura analysis reveals connections between pieces of furniture, such as the direct line from antiquity to a neoclassical French commode, a Biedermeier dressing table, and a twentieth-century bois clair cocktail cabinet.

The story is shaped by a conflict between "classical" and "anti-classical," order and fantasy, and includes the wild extravagances of exotic styles. We see how the simple challenge of making a chair to sit on could generate a huge variety of forms, depending not only on changing fashion in interiors, as well as motifs, ornaments, and ideas from the worlds of politics, religion, architecture, and the fine arts. Works by famous designers-Boulle, Chippendale, Riesener, Makintosh, Eames-appear clearly in the context of the stylish ideals of their times, and nearly 700 illustrations are closely integrated into the text.

The result is not only an essential reference tool for everyone concerned with collecting, selling, or studying furniture and the decorative arts but also a tour de force of scholarship that will enthrall anyone with the least interest in the traditions of Western culture."

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Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design

Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design Review

Graphic Design, Referenced: A Visual Guide to the Language, Applications, and History of Graphic Design Overview

Graphic Design, Referenced is a visual and informational guide to the most commonly referenced terms, historical moments, landmark projects, and influential practitioners in the field of graphic design. With more than 2,000 design projects illustrating more than 400 entries, it provides an intense overview of the varied elements that make up the graphic design profession through a unique set of chapters: “principles" defines the very basic foundation of what constitutes graphic design to establish the language, terms, and concepts that govern what we do and how we do it, covering layout, typography, and printing terms; “knowledge" explores the most influential sources through which we learn about graphic design from the educational institutions we attend to the magazines and books we read; “representatives" gathers the designers who over the years have proven the most prominent or have steered the course of graphic design in one way or another; and “practice" highlights some of the most iconic work produced that not only serve as examples of best practices, but also illustrate its potential lasting legacy. Graphic Design, Referenced serves as a comprehensive source of information and inspiration by documenting and chronicling the scope of contemporary graphic design, stemming from the middle of the twentieth century to today.

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