European Furniture in the Metropolitan Museum of Art. Highlights of the Collection

European Furniture in the Metropolitan Museum of Art. Highlights of the Collection Review

European Furniture in the Metropolitan Museum of Art. Highlights of the Collection Overview

This beautiful volume features 103 superb pieces of European furniture dating from the Renaissance to the late nineteenth century from the collection of The Metropolitan Museum. Examples by many outstanding European designer-craftsmen, such as Andre-Charles Boulle, Thomas Chippendale, David Roentgen, and Karl Friedrich Schinkel, are included, as well as important works by unknown makers. In detailed texts, which incorporate new archival and technical information, the authors discuss the history and significance of each piece. An introduction by Danielle Kisluk-Grosheide presents the history of the Museum's distinguished furniture collection. Colour reproductions of the furniture are presented in overall views and many details, all of which were made specifically for this book. Three hundred fifty-eight additional colour images are included on a CD-ROM at the back of the book.

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Decorative Art 1960s

Decorative Art 1960s Review

Decorative Art 1960s Overview

A comprehensive survey of the 60s: an indispensable reference book for collectors and design fans.

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Prehistoric Textiles: The Development of Cloth in the Neolithic and Bronze Ages with Special Reference to the Aegean

Prehistoric Textiles: The Development of Cloth in the Neolithic and Bronze Ages with Special Reference to the Aegean Review

Prehistoric Textiles: The Development of Cloth in the Neolithic and Bronze Ages with Special Reference to the Aegean Overview

This pioneering work revises our notions of the origins and early development of textiles in Europe and the Near East. Using innovative linguistic techniques, along with methods from palaeobiology and other fields, it shows that spinning and pattern weaving began far earlier than has been supposed.

Prehistoric Textiles made an unsurpassed leap in the social and cultural understanding of textiles in humankind's early history. Cloth making was an industry that consumed more time and effort, and was more culturally significant to prehistoric cultures, than anyone assumed before the book's publication. The textile industry is in fact older than pottery--and perhaps even older than agriculture and stockbreeding. It probably consumed far more hours of labor per year, in temperate climates, than did pottery and food production put together. And this work was done primarily by women. Up until the Industrial Revolution, and into this century in many peasant societies, women spent every available moment spinning, weaving, and sewing.

The author, Elizabeth Wayland Barber, demonstrates command of an almost unbelievably disparate array of disciplines--from historical linguistics to archaeology and paleobiology, from art history to the practical art of weaving. Her passionate interest in the subject matter leaps out on every page. Barber, a professor of linguistics and archaeology, developed expert sewing and weaving skills as a small girl under her mother's tutelage. One could say she had been born and raised to write this book.

Because modern textiles are almost entirely made by machines, we have difficulty appreciating how time-consuming and important the premodern textile industry was. This book opens our eyes to this crucial area of prehistoric human culture.

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Indian Textiles (Revised and Expanded Edition)

Indian Textiles (Revised and Expanded Edition) Review

Indian Textiles (Revised and Expanded Edition) Overview

A completely redesigned and expanded edition of a classic study, now in a larger format and including new chapters on Pakistan, Bangladesh, and Sri Lanka.

The interaction of peoples—indigenous tribes, invaders, traders, explorers—throughout India's history has built a culture legendary for its variety and color. From the Rann of Kutch to the Coromandel coast, from city to village, handloom weavers, block printers, textile painters, dyers, and embroiderers continue India's flourishing textile traditions.

The authors have traveled thousands of miles in a country they know intimately to gather information and photographs of tribal and folk textiles woven for use within the family, as well as of workshop production in villages and towns. They first examine the cultural background to the textiles: the history, from the earliest civilizations to Post-Independence; the materials, including silks, cottons, and wool; and the techniques of weaving, printing, painting, and tie-dye.

The second part of the book comprises a detailed region-by-region account of traditional textile production, including western India, famous for its dyed and printed cloth, appliqué, and beadwork, plus other centers in the north, south, and east, and in Sri Lanka. An array of 365 photographs, 335 in color, including over one hundred new images, provides an unrivaled visual presentation of the textiles. The reference section includes information on technical terms, a list of museums and galleries, and an updated bibliography. 365 photographs, 335 in full-color

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Painted Furniture: Simple Techniques For Fresh, New Looks

Painted Furniture: Simple Techniques For Fresh, New Looks Review

Painted Furniture: Simple Techniques For Fresh, New Looks Overview

Bring old furniture to life or transform an inexpensive, unfinished piece into the stunning focal point of a room. All it takes are some easy-to-do but very effective decorative painting techniques: sponge painting, wood graining, faux inlay, lacquer, stenciling, combing, and crackling. With scaled patterns accompanying the 27 fantastic projects, you’ll work magic in no time at all.

Painted Furniture: Simple Techniques For Fresh, New Looks Specifications

It is almost impossible to look through this book and not want to start painting immediately. The colors are delightfully different from what is usually shown in project books for painted furniture. The best part is the project actually turns out like the picture, even if you are trying this craft for the first time.

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Caffeine for the Creative Mind: 250 Exercises to Wake Up Your Brain

Caffeine for the Creative Mind: 250 Exercises to Wake Up Your Brain Review

Caffeine for the Creative Mind: 250 Exercises to Wake Up Your Brain Overview

What do you do if you are lagging in the morning?

You probably grab a cup of coffee for that extra boost of energy. Throughout the day, you are asked to be creative, to come up with new and better ideas. So what do you do when you need a creative jolt for your brain? Now you can turn to Caffeine for the Creative Mind.

This collection of short, focused creative exercises is just the boost you need get your brain working. Inside, you'll find:

• Over 250 brain-stretching exercises. The exercises are brief, fun and are meant to evoke creative, thought-provoking responses. Get your brain moving by engaging in an exercise at the start of your day or stop and do one whenever you need a creative jolt.
• "I Tried It" testimonials. From illustrators to photographers to professors, real people give feedback on specific exercises they've tried. They also offer more suggestions for how the exercises can be used, changed or reworked to become even more useful.
• Interviews with prominent creative people. See how the people who are in charge of building and maintaining creative environments - studio heads, designers, shop owners, illustrators and animators - view the importance of creativity in their everyday lives.

The only thing keeping you from reaching a new level of creative thought is inaction. With this stimulating book, you'll learn how to focus your creative attention in short, definable ways. Caffeine for the Creative Mind is your springboard for coming up with solutions that challenge you to alter your perspective - and begin generating ideas at the highest possible level!

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The Best of 1-and 2-Color Graphics

The Best of 1-and 2-Color Graphics Review

The Best of 1-and 2-Color Graphics Overview

Explores ways to stretch a budget by using limited colors without compromising style.

Graphic design using limited or single colors not only offers a less expensive alternative to costly four and five color printing but also offers a range of bold effects from somber and elegant to edgy and bold. As the saying goes, less is more, and the work that is showcased in these pages clearly illustrates the truth and merit in this saying.

One-color and two-color printing, although more common than four-color printing, often carries with it a stigma of looking cheap compared to four-color pieces. This book puts that myth to rest by showing how truly dynamic effects can be achieved with simple, inexpensive one- and two-color design and printing. Besides its simplicity, it has a style all its own, which can convey sophistication, elegance, and integrity.

Included is a color finder section designed to show readers a variety of color combinations for various projects such as logos, packaging, book jackets, and posters. Each featured project is shown in thumbnail size in 15 to 20 different single or two-color combinations.

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